Map-drawings
These twelve drawings were made as part of In Certain Places Expanded City project http://incertainplaces.org/projects/the-expanded-city/
The location for each drawing is chosen after walking the area, reading and looking at the current OS map and development plans
Almost all are drawn from, or beside, a bridge - since ‘bridging’ is central to the project
On a more practical/visual level bridges often afford some kind of a view in otherwise pretty flat country - and a focussed point for meeting people
Each drawing is made on a greatly enlarged section (of varying scale but all printed A0 size) of OS 25 inch map, surveyed 1892
An observational drawing is then made, in situ, at a site at a point on the map
The map gives a ‘background’ to the current drawing
This background gives a focus for thoughts and conversations
Also in drawing terms it gives textures/lines/shapes/meanings to work with
The drawing process gives the drawer an opportunity to hear, feel, smell, and see a locality in depth, over several hours. . . .
Also the chance to interact with passers-by
The process of layering the past, with the present, and envisaging the future - is mirrored by the process of making the map drawings
The location for each drawing is chosen after walking the area, reading and looking at the current OS map and development plans
Almost all are drawn from, or beside, a bridge - since ‘bridging’ is central to the project
On a more practical/visual level bridges often afford some kind of a view in otherwise pretty flat country - and a focussed point for meeting people
Each drawing is made on a greatly enlarged section (of varying scale but all printed A0 size) of OS 25 inch map, surveyed 1892
An observational drawing is then made, in situ, at a site at a point on the map
The map gives a ‘background’ to the current drawing
This background gives a focus for thoughts and conversations
Also in drawing terms it gives textures/lines/shapes/meanings to work with
The drawing process gives the drawer an opportunity to hear, feel, smell, and see a locality in depth, over several hours. . . .
Also the chance to interact with passers-by
The process of layering the past, with the present, and envisaging the future - is mirrored by the process of making the map drawings